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The house that Edek built

Image copyright Riba

When Edward “Edek” Hartry and his wife Teresa designed and built their family home near Woking, they created a daringly modern building full of light.

Their glass and timber home stood out among the red-brick Tudor revival architecture of stockbroker Surrey – simple, open-plan and translucent.

It was the 1950s. Young architects were in the vanguard of imagining a new, post-War Britain.

The Hartrys though had more reason than most to believe that life could no longer rely upon old blueprints.

Image copyright Riba
Image copyright Riba

They were both Polish by birth, making futures as naturalised British citizens after a war that had made a graveyard of their country.

Edward, known always as Edek, spoke perfect English. He didn’t talk much about the past, but that was not remarkable in that time and place.

He was busy with life, his children, his job, his sports cars.

Image copyright Krystyna Mew
Image copyright Krystyna Mew

Edek’s suitcase

Edward died in 1967, Teresa in 2002.

It was not until then that their daughter Krystyna found a small suitcase full of papers that revealed her father, his story and his art.

Edward Hartry was born Edward Henrik Herzbaum in 1920, son of a Polish Jewish family then living in Vienna.

The Herzbaums moved back to Poland in the 1930s and settled in Lodz, where Edward enrolled as an architecture student.

Image copyright Krystyna Mew
Image caption Edward Herzbaum/Hartry with his mother
Image copyright Krystyna Mew

He was 19 when Nazi Germany and Stalin’s Soviet Union launched almost simultaneous invasions and tore up Poland between them, in 1939.

Edward’s mother feared for her only child and sent him eastwards to hide in the city of Lvov.

Agents from the NKVD – the Soviet secret police – caught Edward in June 1940.

He was one of more than a million Polish men, women and children forced into cattle trains and deported in order to obliterate the Polish state.

Image copyright Krystyna Mew

Quickly and secretly, the NKVD murdered 20,000 Polish officers, scholars and other figures of standing – burying them in the forests of Katyn.

But most people were despatched to labour camps and prisons – mainly in the most remote parts of the Soviet Union.

Edward was sent to the Volga River, where he laboured as a logger and at a hydro-electric plant.

Edek’s long journey

His diary reveals grotesque brutality, starvation and torture as routine.

It was impossible for him to draw at the time. Edward’s pen and ink studies of this desperate period come from memory.

Image copyright United States Holocaust Memorial Museum
Image caption Soviet Labour Camp, 1941

When Germany stormed into the Soviet Union in June 1941, Stalin released the surviving Poles – who were now allies.

Edward made his way thousands of kilometres south into Central Asia to join a mass of weak and starved men, women and teenagers.

They became a Polish army in exile, led by Gen Wladyslaw Anders.

Image copyright US Holocaust Memorial Museum
Image caption Donkey and Driver, Kyrgyzstan, 1942

“I’ve managed to buy a sketch book and some paints and I am making some sketches of the mountains,” Edward wrote, bowled over by the colours, the heat and the landscape.

Image copyright US Holocaust Memorial Museum
Image caption Mountains watercolour, Kyrgyzstan, 1942

“The paints are not very good, the sketch book is made from terrible paper, so the sketches are even worse, but maybe someday I will be able to do some work based on them.”

Image copyright US Holocaust Memorial Museum
Image caption Rider and Three Camels, Kyrgyzstan, 1942

The Anders army sailed across the Caspian Sea out of the USSR to Iran, and from there served in Palestine, Iraq and Egypt alongside British forces through 1942 and 1943.

Iraq dazzled Edward.

“Here I would probably not use paints but would switch to ink. Such bright contrasts are better rendered by graphics.

Image copyright US Holocaust Memorial Museum
Image caption Mountain Impressions, Khanaqin, Iraq,1942

“I have never before seen red, orange or purple mountains and I have seen so many green, yellow and brown skies,” wrote Edward in Palestine.

Image copyright US Holocaust Memorial Museum
Image caption Golden domed building near Lake Habbaniya, Iraq, 1943
Image copyright David Holzman
Image caption Hilltop in Italy, 1944

In 1944, the Anders army was deployed to Italy, where it would fight the battle of its life, at Monte Cassino, the hill-top monastery that guarded the way to Rome.

Allied armies of many lands had already mounted three bloody assaults on Cassino and dropped thousands of tonnes of bombs.

On 12 May 1944, the Poles and other Allied armies finally drove the Germans out.

Image copyright US Holocaust Memorial Museum
Image caption Advancing toward Monte Cassino, 1944

The road to Rome was open. The Polish flag flew from the monastery. The hillside was littered with the dead.

Image copyright US Holocaust Memorial Museum
Image caption Corpse of a German soldier near Monte Cassino, June 1944

“Crushed stone, stumps of trees, shattered ammunition cases, helmets shot through, bloody bandages,” Edward wrote.

“Bomb craters into which a two-storey building would fit, burnt-out tanks and pieces of artillery with barrels twisted like pasta.”

“All these things create an image which is more theatrical and concentrated than in any movie or painting.”

Image copyright US Holocaust Memorial Museum
Image caption Mortar shelling at Portella, 1944
Image copyright David Holzman
Image caption Air crew in Italy, 1944

Edward’s sketchbooks became filled with intimate drawings of his comrades as the War drew to a close.

These would be the last few months the soldiers of the Anders army would spend together.

The Poland they knew was destroyed, many families were dead or missing.

Image copyright US Holocaust Memorial Museum
Image caption Soldiers at leisure, deck of the SS Marine Raven, 1946

It was in Italy that Edward heard of the death of his mother in the Lodz ghetto, sometime in 1940-41.

Image copyright US Holocaust Memorial Museum
Image caption Springtime in Castrocaro, 1945

Edward stayed on in Rome studying architecture until he moved on to the UK in 1946, along with tens of thousands of demobbed servicemen and women.

Image copyright US Holocaust Memorial Museum
Image caption Soldiers sailing past Gibraltar, 1946

He took his degree and worked rebuilding bomb-damaged London for the Greater London Council and elsewhere.

Herzbaum became Hartry, and a bundle of drawings disappeared into a brown suitcase.

His modern light-filled new home in the London commuter belt was a fresh start – a new design for living.

Image copyright US Holocaust Memorial Museum
Image caption Leaving Naples, 1946

Edward Herzbaum/Hartry was one of a generation of Polish-British emigres who cheated death not once but many times.

All of those who survive are now in, or approaching, their 90s.

Architects and engineers, musicians and teachers, many were instrumental in building modern Britain.

All carried deep personal losses and appalling stories of endurance, often kept secret for decades.

Find out more

Read Edward Herzbaum’s diary here.

Listen to The Odyssey of Gen Anders’ Army on the BBC iPlayer – from BBC World Service.

Join the conversation – find us on Facebook, Instagram, Snapchat and Twitter.

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Read more: http://www.bbc.co.uk/news/stories-42283531

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